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Camille Pissarro Place du Theatre Francais in Paris mk91
1898
Oil on canvas
65.5x81.5
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Camille Pissarro La Cote du Fallais,Pontoise mk94
1867
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Camille Pissarro Banks of the Oise at Pontoise mk103
1867
Oil on canvas
45.7x71.5
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Camille Pissarro A View of L-Hermitogo,near Pontoise mk103
1874
Oil on canvas
61x83
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Camille Pissarro Kitchen Garden at L-Hermitage,Pontoise mk103
1874
The National Gallery of Scotland.
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Camille Pissarro Cabbage patch near the village mk103
1875
Oil on canvas
54x64.8
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Camille Pissarro Villa at L-Hermitage,Pontoise mk103
1873
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Camille Pissarro The Wash House at Bazincourt mk103
1900
Oil on canvas
65.5x81
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Camille Pissarro The Rood near the Farm mk103
1871
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Camille Pissarro Rue de L-Epicerie,Rouen mk103
1898
The Metropolitan Museum of Art
New York
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Camille Pissarro The Stone bridge in Rouen,dull weather mk103
1896
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Camille Pissarro Peasant Women Placing pea-Sticks in the Ground mk103
1890
gouache and chalk
39x60.2
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Camille Pissarro The conversation mk103
1892
Oil on canvas
89.5x116.5
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Camille Pissarro Apple picking at Eraguy-Epte mk103
1888
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Camille Pissarro Landscape at Osny mk103
c.1884
Oil on canvas
45.7x55.6
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Camille Pissarro Woman in a field mk103
1887
Oil on canvas
45.4x65
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Camille Pissarro Church and farm at Eragny-sur-Epte mk103
1894-95
National Gallery of Canada
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Camille Pissarro Landscape with trees,two figures on a road and mountains in the background mk103
c.1855
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Camille Pissarro Road to Port-Marly Route de Port-Marly mk103
c.1860-67
Oil on panel
22.8x35.1
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Camille Pissarro Landscape Paysage mk103
c.1865
Oil on canvas
28.4x44.1
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Camille Pissarro
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Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903
.Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
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